Farshaxanka iyo madadaalada, Tahay
Rinjiyeynta The "Lady la gisi ah" by Raphael Santi: description, taariikhda
rinjiyeynta The "Lady la gisi ah" by Rafael Santi taas, waxay muujinaysaa mid ka mid ah masterpieces hanad ugu soo jiidasho leh ee noocoodu yahay. Waxaa markii hore u soo sheegnay in 1652 ee dhinacyada soo ururinta ee Galleria Borghese ee Rome.
muddo Fiorentine ka mid ah Raphael dhallinyarada
Ka dib tababar ugu Perugino iyo helaan uu style, Raphael dhallinyarada loo diro Florence, halkaas oo loo qaatay in 1504, u muuqataa in siminaarka of Velikogo Leonardo iyo arko sawirka of Mona Lisa. shaqada Taas ayaa ka dhigaysa aragti weyn ku artist dhallinyarada. Waxa uu si taxadar leh daraasad farsamooyinka of sayidkiisa khibrad leh, samaynta Dakatu ah farshaxankiisa by Leonardo iyo adkeysiga weyn wuxuu bilaabaa inuu ka shaqeeyo uu farsamo. In Florence ee 1506-1507 GG. rinjiyaynta "Lady la gisi ah" waxaa loo abuuray. Rafael Santi aan ka fekeri karaa in dhowr boqol, waxaa ka dhigi doonaa in dood iyo muran, sida badan isbedel ku dhici doonaa ka hor inta aanay u furaa oo dhan ee Qaabkiisu. Cilmibaadhayaasha ayaa soo jeedinaya in sawirka la abuuray oo dabiici ah. Laba sano ka dib, mar hore ku dhameysatay kaalinta rinjiyeynta ee "Lady la gisi ah" Rafael joogto ah ku talaabsan doonaa in Rome.
style The safeeyey of rinjiile dhallinyarada
Wadar ah 36 sano waxaa la siiyey "rabaani ah Sanzio," sida uu odhan jiray by saffarro uu beddelidda ee ilmaha hibada leh ee ilmaha dhabta ah ee ka Renaissance, kuwaas oo lahaa hadiyadda ah artist ah, sayidkii rinjiyeynta taariikhi, iyo naqshada. Habka uu jiidanayaa Hufnaan, dheelitirka iyo daahirnimo.
rinjiyeynta The "Lady la gisi ah" by Raphael: description
On shiraac ah waxaan arki sawirka quruxda aan la garanayn. Halabuurka waxaa loogu talagalay si cad u saameeyay Leonardo.
Sida laga soo xigtay aaminsan waqtiga, waxaa lagu rabbeeyey dabiicadda karaa gabar oo kaliya ku Afuufnay isdhawra.
Waxaan sii wadi sharaxaad ka mid ah Raphael Santi "The Lady la gisi ah". Taxadir leh loo nadiifiyaa madaxa timo dahabka sharraxay tiara yar, taas oo dib u xidhi laga yaabaa in timaha. Virgin ayaa la sawiray ee asalka ah oo samada ka daahirsan cad, halkaas oo masaafada lagu arki karo helitaanka hills buluug iftiinka yar ee Tuscany halkaas oo ay jiraan wax qarsoon ma jiro. Labis la hureen yar oo gacmo fullaaci kara xaqse, decoration of silsilad dahab la guduud ah, iyo luul ah, taas oo uu leeyahay qaab reer dhibic, tusi in ay tahay barwaaqo ah xarrago leh oo sharaf leh marwada. Waxaa u laabnayd in aragto wax walba oo faraha ka mid ah oo aan la garaneyn waxaa giraanta ma mid keliya.
Tani qof dumar ah oo gebi ahaanba habboonaanta iyo fission. Waxaa ku qoran gudubka saafi ah iyo midabyo.
The xarrago iyo dib uhabaynta, sidoo kale waxa qarsoon ee nafta of this shisheeye dhallinyarada - labada qarsoon waaweyn in qariyaa sawirka ah. Tani waa mid ka mid ah hadafyada quruxda haweenka laga bilaabo qarnigii XVI ka.
Oo waxaa loo arkaa qoraaga?
Taariikhda sawirka waa mid gaar ah. Its qoray waxa u sabab ah Perugino, Ghirlandaio iyo Ranjiilayaasha kale oo badan, sida Vasari ma siin sharaxaad ku saabsan alaabta this. D. Cantalamessa ugu horeysay bilaabay waxbarashada ee 1916. Waxa uu ahaa kii ugu horeeyay kaas oo bilaabay inuu shaki qoray ee rinjiyeynta ee "Lady la gisi ah". Aad u dhow ay dhaca ku yimid soddon jirka iyo afartameeyaha ee qarnigii la soo dhaafay. Waxaa la baadhay by X-rays. Tan iyo 1935, dib u soo celinta bilaabay. rinjiyeynta ka hor oo dhan ma aragtay quduuska ah Catherine ee Alexandria, on garbaha of kuwaas oo lagu tuuray badan dharkiisa soo qaato. Xitaa gacanta ayay si kale lagu qabtay.
Metamorphosis ee St. Catherine
X-rays shaaca ka qaaday layers kala duwan ee dopisok ka dib, iyo sidoo kale waxa uu ahaa asal ahaan in gacmaha model fadhiya eyga yar (calaamad of aaminnimo ee isqaba), taas oo ah qoraaga qudhiisa ayaa bedelay gisi ah. Waxay barteen sannadkii 1959, markii ay mar kale baaro shaqada iyo ogaaday in koorsada of dib dambe rinjiile qudhiisu macnaha rinjiyeynta bedelay ka kaliyeeli in ay ka khayroon daahirnimo. rinjiyeynta ayaa waxaa si xun u burburay. Restorers, si taxadar leh ay ka saareen lakabka by lakabka masterpiece dib muuqaalka asalka ah.
Haddaba u qaadan in rinjiyeynta soo martay dhowr ah heerarka kala duwan ee shaqada:
- Model, haysta eyga, ayaa dhallin yar, iyo Raphael qoray muuqaalkii u gudubno oo keliya, samada iyo tirada ay soo jeeda.
- Xilkaasi waxa uu gacmaha, gacmo, eyga, columns dhameysteen artist kale. Waxaa laga yaabaa in uu ku dhowaaday inuu dugsiga ee Leonardo.
- a labaatan sano kadib, eey noqday gisi ah, taas oo looga baahan yahay dib-u-gacanta u qortaa.
- qarnigii artist A oo aan la garaneyn ayaa loo bedelay habka St Catherine.
Ogow oo ahaan jiray model ah, ilaa iyo hadda ku fashilantay. Tani waa qarsoodiga ah sida sawirka ka.
Exhibition ka mid ah sawirka
Pearl ee Renaissance "Lady la gisi ah" ee (Raphael) Pushkin Museum saaray bandhigay sanadkii 2011. rinjiyeynta la geeyey Russia xuska sanadka ah ee dhaqanka Talyaani iyo luqadda ee dalkeenna. shaqada waa mid aad u dhif ah ka baxo guriga.
R. Vaudret, oo madax ka ah matxafyada ee Rome, ayaa sheegay in diyaarinta rinjiyeynta in ay u safraan Federation Ruush saddex bilood. Asal abuuray weel gebi ahaanba laga shaabadeeyey. Taasi waa in ay sii wadaan in ay lagama maarmaan u ah microclimate dhar ah. Intaas ka dib soo saaray sanduuqa alwaax dibadda ah, oo waxaa la dhigayaa in weel oo aan la dhaqaajin karin, mid millimeter. The weel Rome garoonka keenay baabuur gaar ah, ka dibna la dhigayaa on diyaarad dawlad loo gaarsiiyo si Moscow.
Museum Pushkin ee ammaanka bixiyo masterpiece, gelinayo hoos muraayadda xabada.
Experience monovystavok Museum Pushkin waa horaa la heli karo, sida ay keeneen "Mona Lisa" in 70s ee. Si aad u aragto masterpiece la siiyey in ay dhagaystayaasha shan iyo afartan daqiiqo. All, dabcan, lama huraan, laakiin kuwii ku caashaqi jiray fanka sugayay kulanka shiraac ah by Raphael Sanzio.
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