Farshaxanka iyo madadaaladaTahay

Alberto Giacometti: A Biography iyo farshaxan

Waxa ay ahayd tirada dhif ah: ka mid ah fanaaniinta ugu wax-uqabso ee Paris uu bartay farshaxanka aan dhigyo abstruse oo ayana, oo aan naxdin iyo cadaymaha. Waxaa lagu magacaabaa mid ka mid ah sculptors ugu weyn ee qarnigii XX ah, iyo Alberto Giacometti shaqeeyay dareen la'aan waqtiga, waxaan halmaamay ku saabsan hurdo iyo cunto. Wuxuu si ay sheegayaan in kaliya ee bilowga ah ee Jidka waxgarashada uu model, asaga aysan heysan wax shaqo dhammeeyayna ay isticmaali ...

ina artist ee

Wuxuu U dhawaaday inuu ahaa da'da la mid ah sida qarnigii XX iyo waxa uu ku dhashay 1901 magaalada Stampa, in qayb ka mid ah hadalka Talyaani ee Switzerland. Alberto Dzhakometti ahaa ina postimpressionist artist iyo carruurnimada ayaa koray jawi xiiso ee farshaxanka, danta xor ka hogaansanaanta dhismeedka in style gaar ah ama socodka. Tani dareen artist qaadeen noloshiisa.

Laakiin marka hore, ayuu nuqul farshaxankiisa aabbihiis iyo shuqulladiisii uu hab iyo style of Fauvism by. In farshaxan wuxuu bilaabay inuu ka shaqeeyo hab scholarly. Ka dib markii wax ku barayay fasalka of farshaxan of School Geneva ee Fine Arts, wuxuu ka dhigaa safarka Italy, ka dibna u dhaqaaqay France. Alberto Giacometti, kuwaas oo Biography bilaabay in Switzerland, ku dhowaad Meyeydaan qaatay in studio oo ku saabsan Montparnasse ee Paris, ka tagay oo kaliya markii lagu badbaadinayo in qoyskiisa.

Doorashada qaaska ah

Tan iyo 1922 wuxuu bilaabay inuu tababar la sculptor Emile-Antuana Burdelya (1861-1929), arday ka mid ah Rodin weyn oo googo'an isaga ku hawlan muddo 5 sano ah. Tan iyo 1925, sawirka iyo rinjiyeynta u yihiin Alberto Giacometti noocyo kaabayaal, iyo farshaxanka ugu weyn isaga waayo, hadda ka la farshaxan doonaa.

Paris oo ka mid ah labaatankii sano ee hore ee qarnigii XX ah - xarunta nolosha farshaxanka dunida. In wadahadalka madaxda dhalinyaro ah oo ka mid ah isbeddellada cusub ee farshaxanka, suugaanta, falsafadda ka dhacay horumarinta hababka cusub iyo fikrado, wada hadalka iyo saamaynta labada dhinac. Waxaan iyo Alberto Giacometti ka fogaan wayay. Farshaxan waqtiga sugan Aayaad Cad Cad of cilmi formalist Constantin Brancusi (1876-1957) iyo, dabcan, Cubists ah. Tusaale ahaan waa "jir" (1925).

Saamaynta ay ku tahay heer hoose

In search of nuxurka garde ka haydh haydh lahayn imaging dugsiga PSG siiyo farshaxanka dadyowga dareenka, ma dhaceen, by ilbaxnimada. Exhibition of waji dhaqan iyo sanamyadii totemic of Africa, Oceania iyo South America, ee masterpieces ee Zaman Masaarida helaa qaddiimiga ah ee qadiimiga ah - oo dhan of this ayaa lagu bartay oo dulsaar leh isla. Picasso, Matisse, Modigliani - fanaaniinta ee jiho oo kala duwan loo isticmaalo yabban la mid ah rinjiyeynta iyo farshaxan.

"Lamaanihii", "qaaddo Islaan" (1926) - mid ka mid ah waxyaalaha ugu muhiimsan ee muddada, Alberto Giacometti. Connect fududeynta ee totem xagjirka ah ee foomka, hadal ah oo rag ah iyo dhedig ee foomka of calaamadaha, shiiska waa mid aad u xoog. Natiijadu waxay tahay artist ah u isticmaali doono mustaqbalka, laakiin meesha hubaal kaliga (sida farshaxan kuwan) dhacdaa Giacometti ee dhif ah.

kala duwan oo ka mid ah Hababka

Marna naftayda dareysa in qaar ka mid ah hal-style, waa ay fududahay in la beddelo qaabka, gaar ahaan wajiga hore. Alberto Giacometti, kuwaas oo Biography - shaqo joogto ah oo adag ugu danbeyn horumariyo farshaxan gaar ah uu style gaar ah, mid gaar ah oo la garan karo - elongated, jilicsan, qaababka dusha gaboowday, captivating meel ku wareegsan.

Oo bilowga waxaa la fududeeyay in ay saxan minimalism, kaas oo kasoo muuqday daydo ahaayeen isbedel ku quruxsan nekardinalnymi, "Head" (1931), "waana fadhanfadhka" (1932). Waxaa jiray waqti markii uu tixgeliyo Kaalmeeya uu surrealists oo muuqda. "Qof dumar ah oo iyada iyo cut cunaha" (1932): aragti yaab xoog leh oo rabshado waxaa lagu gaarayaa diyaarad dissection mugga markii xubno biomorphic shaqsi u muuqdaan in ay la dillacshay jidhka ku xanuunsaday Metamorphosis daran. "Table hungo ah" (1933) - element Furniture - Halabuurka ee isku filan gudahood macnaha xubno isku dhafan si loo abuuro taariikh cusub.

Caanka ah "Ball joojiyay" (1931) - materialization cajiib ah oo dareenkooda for siladda kasta oo gaar ah: mid ka mid Grez aragnimo kula beera ubaxa, halka ka kalena uu dareensan yahay in meesha la qalay daran.

Laakiin muddada hungo marayay. Daraasadda ku saabsan nolosha kala duwan socda agagaarka waqti kasta siiyey, iyo qofka wakhtigaas in uu noqdo dulucda ugu weyn ee artist ee.

Iyadoo kirjallinen mawduucyada

Switzerland - dal dhexdhexaad ah, laakiin ku maqan oo aan qof ka masiibada dagaal dunida noqon kartaa. Maalmaha oo dhan lagu adag ka buuxsamay, laakiin baaxad weyn oo camal muhiim u abuurmeen yar. Ma aha qalad ah rinjiyaynta iyo barbaro mar kale bilaabay inuu mashquulin meel bannaan oo dheeraad ah in shuqullada Alberto Giacometti. Farshaxan macno ahaan hoos u dhacay - tirooyinka aadanaha ku haboon ee dhiibsan. Waxbarashada mugga dhexgalka iyo meel, waqti, iyo mass, tijaabo artist leh tirada ugu.

Cilmi-baarisyadaasi waxay la aasaasay aasaas u ah shaqada keenay aqoonsi caalamka oo odaygii isla markiiba ka dib markii dagaalka. Sidaas darteed, farshaxan ugu qaalisan ee Alberto Dzhakometti "Man U soo guurista" waxaa la abuuray 1947. Tuur ee naxaasta ahayd, sarajooggeeduna 180 cm, saaxir this lagu iibiyey guga ee 2015 at xaraashka Christie ee 141,285 milyan oo doolar.

aqoonsi

meesha ugu weyn ee bandhigyo ee 1948 ee New York iyo 1950 ee Paris waxaa sooco oo si farshaxan, si ay u muujiyaan u nuglaanta iyo nuglaanta dadka adduunka ugu xadgudubka, awood la'aanta in ay iska caabin marinka ka gaarto of time. Marka la isku sawiro & farshaxankiisa yaab leh farshaxan Alberto Dzhakometti ahaayeen Bannaanbaxyada in ay had iyo jeer ku riyaaqay guulo waa weyn.

Busts iyo xisaabin uu farshaxan istaagay nadaam joogto ah ay - walaalkiis Diego iyo xaaskiisa Annette - ma laha muddo gaaban dhabta ah iyo mugga dhabta ah, waxay u muuqdaan in ay laga saaro meesha bannaan ee, ka fadilnaa macnaha, waxaa macno ah ma kaas oo waqtigan xaadirka ah.

Haysashada muujinta muuqaal tamarta qoraaga ee texture socda abuuray by sculptor taabtana aan la tirin karin ee faraha, waxay furato ciidanka, oo la mid ah in qaansada tamarta barbaro ah. Tani waa ku dhowaad sax ah calaamad ka mid ah "Man U soo guurista" Alberto Dzhakometti. Photos of farshaxan ka xagal gaar ah - waa qaansoluhu, kuwaas oo sii daynayaa ah ganacsigii labaad ka gaarto.

Expressionism in rinjiyeynta

Sawirada iyo farshaxanka by Giacometti - tani ma aha marxalad diyaarinta ah ee mugga mustaqbalka ee shaqada, inkastoo ay eegaan iyo dareenka of sculptor ah. sawirka A ama hannaanka ah wareeggeedii qaabeeyey tirada. Giacometti waa run gaar ahaan loogu talagalay isticmaalka laba xadhig imaanayn midabka. Jaantuska eg meshwork adag saamayn ku dhowaad saddex-geesood ah, line kasta waa mid sax ah oo ku haboon.

farshaxankiisa Giacometti iyo farshaxan uu leeyihiin in caadiga ah ma aha oo kaliya isticmaalka saanac ah ee mugga, muruqa caan ma aha oo kaliya muujinayaa tirooyin iyo wejigooda, laakiin tamarta maqan, dareenka ah in kasta oo shanqarta ilig ah oo ku saabsan dusha sare ee farshaxan ah, sida hannaankii bar kasta oo smear kasta muuqaal dabiici ah. Lama filaan ma aha artist mararka qaarkood rinji farshaxan ay.

rinjiile xoolaha

About uu "Dogs" (1951) ay jecelyihiin in ay ku doodi khubaro, kiii eey, oo qeexaya ay sirdoonka, sababtoo ah, in kasta oo ay Joogaba, oo aan caadi ahayn, waxay u egtahay la yaab leh naturalistic. Iyo khubaro ka mid ah waxay aaminsan yihiin in saxnimada lagu dayan karo of farshaxan Alberto Giacometti. Photos nooc hound eeyaha Afghan iyaga ugu bixiyey caddayn buuxda.

Markii la weydiiyay oo ku saabsan artist isaga qudhiisa, waxa uu ku jawaabay in "Dog" sidoo kale "cat" iyo xitaa "Spider" - waxa kaliya oo uu is-Wehbe.

Waxa ugu weyn ee - dadka

maadooyinka uu, gaar ahaan xilliga dambe waa kala duwan, waxa uu weli rinji innoogu sheegay, Bbc, iyo xayawaanka. Laakiin dulucda ugu weyn ka mid ahaa, in ay ahaayeen rinjiyeynta iyo farshaxan Alberto Dzhakometti. "The Man dhaqaaqin", "Socodka Man" (1960), "Man Goynaya Square" (1947), "nin The kii galaaba, by Roob ah" (1949) ... Sidaana uu muujiyo nuglaanta aadanaha, istaagay taag waqtiga hadda, jidka loo marayo dhimman cidhiidhi ah ee dhinacyada kala duwan, cirbadaha Jeexi bannaan.

isaga qudhiisuse wuxuu ku soo jiitay dadka, wuxuu ahaa mid aad u qurux badan dhegeysiga iyo - Alberto Giacometti. Photos qabtay uu haybad wejiga, fekerkiisa vseponimayuschy xigmadda leh, filimka sheegayaa awood u wanaagsan radiated iyaga ama bakhtiyeen by ilaa dhamaadka safar.

Sababta eegno taxaddar

shuqulladiisa - qaar ka mid ah kuwa ugu qaalisan marka la eego waxyaabaha. "Man U soo guurista" Alberto Dzhakometti, sawir oo daadadku internetka guga ee 2015 sida "madaxa Big Diego" (1954) iyo "Man Socodka" ee 2010, ayaa dhigay rikoor ah qiimaha xaraashka shuqullada tahay.

Waxyaabaha kale waa sabab kale oo ay u eegno dhow at abuuray oo uu mar kale si la yaabanahay waxa tahay, nin maxay u yahay.

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